On an aesthetic level, the film is a feast to listen to. The notable lack of a musical score refocuses our attention towards the diegetic sounds of the film. Each scene seems to have some notable background noise to add to the intimate yet distancing narrative. The film is filled with the sounds of industrial hell: Cars, mopeds machinery, air conditioners, all the things that are usually sought to be erased from the soundtrack.
by Patrick Felton (battleship pretension), for “ATTENBERG”
see full article at battleship pretension